A preliminary version of the Conference Program is already available.
A COMPARATIVE STUDY OF INDIAN AND WESTERN MUSIC FORMS
Parul Agarwal, Harish Karnick and Bhiksha Raj
A COMPREHENSIVE ONLINE DATABASE OF MACHINE-READABLE LEAD-SHEETS FOR
JAZZ STANDARDS
Francois Pachet, Jeff Suzda and Dani Martinez
A COMPUTATIONAL COMPARISON OF THEORY AND PRACTICE OF SCALE INTONATION
IN BYZANTINE CHANT
Maria Panteli and Hendrik Purwins
A CORPUS-BASED STUDY ON RAGTIME SYNCOPATION
Anja Volk and W. Bas de Haas
A DETERMINISTIC ANNEALING EM ALGORITHM FOR AUTOMATIC MUSIC
TRANSCRIPTION
Tian Cheng, Simon Dixon and Matthias Mauch
A DISTRIBUTED MODEL FOR MULTIPLE-VIEWPOINT MELODIC PREDICTION
Srikanth Cherla, Tillman Weyde, Artur d’Avila Garcez and Marcus Pearce
A MACHINE LEARNING APPROACH TO VOICE SEPARATION IN LUTE TABLATURE
Reinier de Valk, Tillman Weyde and Emmanouil Benetos
A META-ANALYSIS OF THE MIREX STRUCTURAL SEGMENTATION TASK
Jordan Smith and Elaine Chew
A METHODOLOGY FOR THE COMPARISON OF MELODIC GENERATION MODELS USING
META-MELO
Nicolas Gonzalez Thomas, Philippe Pasquier, Arne Eigenfeldt and James
B. Maxwell
A SIMPLE FUSION METHOD OF STATE AND SEQUENCE SEGMENTATION FOR MUSIC
STRUCTURE DISCOVERY
Florian Kaiser and Geoffroy Peeters
A STUDY OF CULTURAL DEPENDENCE OF PERCEIVED MOOD IN GREEK MUSIC
Katerina Kosta, Yading Song, Gyorgy Fazekas and Mark Sandler
A STUDY OF ENSEMBLE SYNCHRONISATION UNDER RESTRICTED LINE OF SIGHT
Bogdan Vera, Elaine Chew and Patrick G. T. Healey
A VIDEO COMPRESSION-BASED APPROACH TO MEASURE MUSIC STRUCTURAL
SIMILARITY
Diego Silva, Hélène Papadopoulos, Gustavo Batista and Daniel Ellis
AN ANALYSIS OF CHORUS FEATURES IN POPULAR SONG
Jan Van Balen, John Ashley Burgoyne, Frans Wiering and Remco Veltkamp
AN EXPERIMENT ABOUT ESTIMATING THE NUMBER OF INSTRUMENTS IN POLYPHONIC
MUSIC: A COMPARISON BETWEEN INTERNET AND LABORATORY RESULTS
Michael Schoeffler, Fabian-Robert Stöter, Harald Bayerlein, Bernd
Edler and Jürgen Herre
AN EXTENDED AUDIO FINGERPRINT METHOD WITH CAPABILITIES FOR SIMILAR
MUSIC DETECTION.
Sébastien Fenet, Yves Grenier and Gaël Richard
ANNOTATING WORKS FOR MUSIC EDUCATION: PROPOSITIONS FOR A MUSICAL FORMS
AND STRUCTURES ONTOLOGY AND A MUSICAL PERFORMANCE ONTOLOGY
Véronique Sébastien, Didier Sébastien and Noël Conruyt
AUDIO CHORD RECOGNITION WITH RECURRENT NEURAL NETWORKS
Nicolas Boulanger-Lewandowski, Yoshua Bengio and Pascal Vincent
AUTOMASHUPPER: AN AUTOMATIC MULTI-SONG MASHUP SYSTEM
Matthew Davies, Philippe Hamel, Kazuyoshi Yoshii and Masataka Goto
AUTOMATED METHODS FOR ANALYZING MUSIC RECORDINGS IN SONATA FORM
Nanzhu Jiang and Meinard Mueller
AUTOMATIC ALIGNMENT OF MUSIC PERFORMANCES WITH STRUCTURAL DIFFERENCES
Maarten Grachten, Martin Gasser, Andreas Arzt and Gerhard Widmer
AUTOMATIC TRANSCRIPTION OF TURKISH MAKAM MUSIC
Emmanouil Benetos and Andre Holzapfel
AUTOMATICALLY IDENTIFYING VOCAL EXPRESSIONS FOR MUSIC TRANSCRIPTION
Sai Sumanth Miryala, Kalika Bali, Ranjita Bhagwan and Monojit Choudhury
BASIC EVALUATION OF AUDITORY TEMPORAL STABILITY (BEATS): A
NOVEL RATIONALE AND IMPLEMENTATION
Zhouhong Cai, Robert J. Ellis, Zhiyan Duan, Hong Lu and Ye Wang
BETA PROCESS SPARSE NONNEGATIVE MATRIX FACTORIZATION FOR MUSIC
Dawen Liang, Matthew D. Hoffman and Daniel P. W. Ellis
BEYOND NMF: TIME-DOMAIN AUDIO SOURCE SEPARATION WITHOUT PHASE
RECONSTRUCTION
Kazuyoshi Yoshii, Ryota Tomioka, Daichi Mochihashi and Masataka Goto
BILEVEL SPARSE MODELS FOR POLYPHONIC MUSIC TRANSCRIPTION
Tal Ben Yakar, Pablo Sprechmann, Roee Litman, Alex Bronstein and
Guillermo Sapiro
CHORD-SEQUENCE-FACTORY: A CHORD ARRANGEMENT SYSTEM MODIFYING FACTORIZED
CHORD SEQUENCE PROBABILITIES
Satoru Fukayama, Kazuyoshi Yoshii and Masataka Goto
COMBINING HARMONY-BASED AND NOVELTY-BASED APPROACHES FOR STRUCTURAL
SEGMENTATION
Johan Pauwels, Florian Kaiser and Geoffroy Peeters
COMBINING MODELING OF SINGING VOICE AND BACKGROUND MUSIC FOR AUTOMATIC
SEPARATION OF MUSICAL MIXTURES
Zafar Rafii, Francois Germain, Dennis Sun and Gautham Mysore
COMBINING TIMBRIC AND RHYTHMIC FEATURES FOR SEMANTIC MUSIC TAGGING
Nicola Orio and Roberto Piva
COMPARING ONSET DETECTION & PERCEPTUAL ATTACK TIME
Richard Polfreman
CONVERTING PATH STRUCTURES INTO BLOCK STRUCTURES USING EIGENVALUE
DECOMPOSITIONS OF SELF-SIMILARITY MATRICES
Harald Grohganz, Michael Clausen, Nanzhu Jiang and Meinard Mueller
COUPLING SOCIAL NETWORK SERVICES AND SUPPORT FOR ONLINE COMMUNITIES IN
CODES ENVIRONMENT
Felipe Mendonça Scheeren, Marcelo Soares Pimenta, Damián Keller and
Victor Lazzarini
DATA DRIVEN AND DISCRIMINATIVE PROJECTIONS FOR LARGE-SCALE COVER SONG
IDENTIFICATION
Eric J. Humphrey, Oriol Nieto and Juan P. Bello
DESIGN AND EVALUATION OF SEMANTIC MOOD MODELS FOR MUSIC RECOMMENDATION
USING EDITORIAL TAGS
Mathieu Barthet, David Marston, Chris Baume, Gyorgy Fazekas and Mark
Sandler
DO ONLINE SOCIAL TAGS PREDICT PERCEIVED OR INDUCED EMOTIONAL RESPONSES
TO MUSIC?
Yading Song, Simon Dixon, Marcus Pearce and Andrea Halpern
DUNYA: A SYSTEM TO BROWSE AUDIO MUSIC COLLECTIONS EXPLOITING CULTURAL
CONTEXT
Alastair Porter, Mohamed Sordo and Xavier Serra
EMPIRICAL ANALYSIS OF TRACK SELECTION AND ORDERING IN ELECTRONIC DANCE
MUSIC USING AUDIO FEATURE EXTRACTION
Thor Kell and George Tzanetakis
ESSENTIA: AN AUDIO ANALYSIS LIBRARY FOR MUSIC INFORMATION RETRIEVAL
Dmitry Bogdanov, Nicolas Wack, Emilia Gómez, Sankalp Gulati, Perfecto
Herrera, Oscar Mayor, Gerard Roma, Justin Salamon, José R. Zapata and
Xavier Serra
EVALUATING OMR ON THE EARLY MUSIC ONLINE COLLECTION
Laurent Pugin and Tim Crawford
EVALUATING THE QUALITY OF GENERATED PLAYLISTS BASED ON HAND-CRAFTED
SAMPLES
Geoffray Bonnin and Dietmar Jannach
EVALUATION ON FEATURE IMPORTANCE FOR FAVORITE SONG DETECTION
Yajie Hu, Dingding Li and Mitsunori Ogihara
EXPLICIT DURATION HIDDEN MARKOV MODELS FOR MULTIPLE-INSTRUMENT
POLYPHONIC MUSIC TRANSCRIPTION
Emmanouil Benetos and Tillman Weyde
EXPLORATION OF MUSIC EMOTION RECOGNITION BASED ON MIDI
Yi Lin, Xiaoou Chen and Deshun Yang
EXPLORING THE RELATION BETWEEN NOVELTY ASPECTS AND PREFERENCES IN MUSIC
LISTENING
Andryw Marques Ramos, Nazareno Andrade and Leandro Balby Marinho
FEATURE SELECTION AND LIVE QUERY FOR AUDIO ORACLE BASED MACHINE
IMPROVISATION
Greg Surges and Shlomo Dubnov
FREISCHUETZ DIGITAL: A CASE STUDY FOR REFERENCE-BASED AUDIO
SEGMENTATION FOR OPERAS
Thomas Praetzlich and Meinard Mueller
GROOVE KERNELS AS RHYTHMIC-ACOUSTIC MOTIF DESCRIPTORS
Andy Sarroff and Michael Casey
HIERARCHICAL CLASSIFICATION OF CARNATIC MUSIC FORMS
Ranjani. H. G. and T. V. Sreenivas
HOOKED: A GAME FOR DISCOVERING WHAT MAKES MUSIC CATCHY
John Ashley Burgoyne, Dimitrios Bountouridis, Jan Van Balen and Henkjan
Honing
IMPROVED AUDIO CLASSIFICATION USING A NOVEL NON-LINEAR DIMENSIONALITY
REDUCTION ENSEMBLE APPROACH
Stéphane Dupont and Thierry Ravet
IMPROVING THE RELIABILITY OF MUSIC GENRE CLASSIFICATION USING REJECTION
AND VERIFICATION
Alessandro Koerich
INCREMENTAL VISUALIZATION OF GROWING MUSIC COLLECTIONS
Sebastian Stober, Thomas Low, Tatiana Gossen and Andreas Nürnberger
INFLUENCES OF ISMIR AND MIREX RESEARCH ON TECHNOLOGY PATENTS
Sally Jo Cunningham and Jin Ha Lee
INSTRUMENT IDENTIFICATION INFORMED MULTI-TRACK MIXING
Jeffrey Scott and Youngmoo E Kim
INTER AND INTRA ITEM SEGMENTATION OF CONTINUOUS AUDIO RECORDINGS OF
CARNATIC MUSIC FOR ARCHIVAL
Padi Sarala and Hema A. Murthy
JPRODUCTIONCRITIC: AN EDUCATIONAL TOOL FOR DETECTING TECHNICAL ERRORS
IN AUDIO MIXES
Cory McKay
K-POP GENRES: A CROSS-CULTURAL EXPLORATION
Jin Ha Lee, Kahyun Choi, Xiao Hu and J. Stephen Downie
LARGE-SCALE COVER SONG IDENTIFICATION USING CHORD PROFILES
Maksim Khadkevich and Maurizio Omologo
LEARNING BINARY CODES FOR EFFICIENT LARGE-SCALE MUSIC SIMILARITY SEARCH
Jan Schlüter
LEARNING RHYTHM AND MELODY FEATURES WITH DEEP BELIEF NETWORKS
Erik Schmidt and Youngmoo Kim
LOCAL GROUP DELAY BASED VIBRATO AND TREMOLO SUPPRESSION FOR ONSET
DETECTION
Sebastian Böck and Gerhard Widmer
LOW-RANK REPRESENTATION OF BOTH SINGING VOICE AND MUSIC ACCOMPANIMENT
VIA LEARNED DICTIONARIES
Yi-Hsuan Yang
MEUSE: RECOMMENDING INTERNET RADIO STATIONS
Maurice Grant, Adeesha Ekanayake and Douglas Turnbull
MODELLING THE SPEED OF MUSIC USING FEATURES FROM HARMONIC/PERCUSSIVE
SEPARATED AUDIO
Anders Elowsson, Anders Friberg, Guy Madison and Johan Paulin
MOTIF SPOTTING IN AN ALAPANA IN CARNATIC MUSIC
Vignesh Ishwar, Shrey Dutta, Ashwin Bellur and Hema Murthy
MULTISCALE APPROACHES TO MUSIC AUDIO FEATURE LEARNING
Sander Dieleman and Benjamin Schrauwen
MUSIC CUT AND PASTE: A PERSONALIZED MUSICAL MEDLEY GENERATING SYSTEM
I-Ting Liu, Yin-Tzu Lin and Ja-Ling Wu
MUSICBRAINZ FOR THE WORLD: THE CHILEAN EXPERIENCE
Gabriel Vigliensoni, John Ashley Burgoyne and Ichiro Fujinaga
ON FINDING SYMBOLIC THEMES DIRECTLY FROM AUDIO FILES USING DYNAMIC
PROGRAMMING
Antti Laaksonen and Kjell Lemström
OPTICAL MEASURE RECOGNITION IN COMMON MUSIC NOTATION
Gabriel Vigliensoni, Gregory Burlet and Ichiro Fujinaga
PLACING MUSIC ARTISTS AND SONGS IN TIME USING EDITORIAL METADATA AND
WEB MINING TECHNIQUES
Dimitrios Bountouridis, Remco C. Veltkamp and Jan Van Balen
QBT-EXTENDED: AN ANNOTATED DATASET OF MELODICALLY CONTOURED TAPPED
QUERIES
Blair Kaneshiro, Hyung-Suk Kim, Jorge Herrera, Jieun Oh, Jonathan
Berger and Malcolm Slaney
RHYTHMIC PATTERN MODELING FOR BEAT AND DOWNBEAT TRACKING IN MUSICAL
AUDIO
Florian Krebs, Sebastian Böck and Gerhard Widmer
ROBOTABA GUITAR TABLATURE TRANSCRIPTION FRAMEWORK
Gregory Burlet and Ichiro Fujinaga
SCORE INFORMED TONIC IDENTIFICATION FOR MAKAM MUSIC OF TURKEY
Sertan Şentürk, Sankalp Gulati and Xavier Serra
SEMI-SUPERVISED POLYPHONIC SOURCE IDENTIFICATION USING PLCA BASED GRAPH
CLUSTERING
Vipul Arora and Laxmidhar Behera
SIARCT-CFP: IMPROVING PRECISION AND THE DISCOVERY OF INEXACT MUSICAL
PATTERNS IN POINT-SET REPRESENTATIONS
Tom Collins, Andreas Arzt, Sebastian Flossmann and Gerhard Widmer
SIMULTANEOUS UNSUPERVISED LEARNING OF FLAMENCO METRICAL STRUCTURE,
HYPERMETRICAL STRUCTURE, AND MULTIPART STRUCTURAL RELATIONS
Dekai Wu
SOCIAL-EQ: CROWDSOURCING AN EQUALIZATION DESCRIPTOR MAP
Mark Cartwright and Bryan Pardo
SOURCE SEPARATION OF POLYPHONIC MUSIC WITH INTERACTIVE USER-FEEDBACK ON
A PIANO ROLL DISPLAY
Nicholas J. Bryan, Gautham J. Mysore and Ge Wang
SPARSE MODELING FOR ARTIST IDENTIFICATION: EXPLOITING PHASE INFORMATION
AND VOCAL SEPARATION
Li Su and Yi-Hsuan Yang
SPARSE MUSIC DECOMPOSITION ONTO A MIDI DICTIONARY DRIVEN BY STATISTICAL
MUSIC KNOWLEDGE
Boyang Gao, Emmanuel Dellandréa and Liming Chen
SPECTRAL CORRELATES IN EMOTION LABELING OF SUSTAINED MUSICAL INSTRUMENT
TONES
Bin Wu, Simon Wun, Chung Lee and Andrew Horner
SWARA HISTOGRAM BASED STRUCTURAL ANALYSIS AND IDENTIFICATION OF INDIAN
CLASSICAL RAGAS
PRANAY DIGHE, HARISH KARNICK and BHIKSHA RAJ
TASTE OVER TIME: THE TEMPORAL DYNAMICS OF USER PREFERENCES
Joshua Moore, Shuo Chen, Douglas Turnbull and Thorsten Joachims
TEMPO DETECTION OF URBAN MUSIC USING TATUM GRID NON NEGATIVE MATRIX
FACTORIZATION
Daniel Gärtner
THE AUDIO DEGRADATION TOOLBOX AND ITS APPLICATION TO ROBUSTNESS
EVALUATION
Matthias Mauch and Sebastian Ewert
THE AUDIO EFFECTS ONTOLOGY
Thomas Wilmering, György Fazekas and Mark B. Sandler
THE MILLION MUSICAL TWEET DATASET – WHAT WE CAN LEARN FROM MICROBLOGS
David Hauger, Markus Schedl, Andrej Košir and Marko Tkalčič
THE ROLE OF AUDIO AND TAGS IN MUSIC MOOD PREDICTION: A STUDY USING
SEMANTIC LAYER PROJECTION
Pasi Saari, Tuomas Eerola, György Fazekas, Mathieu Barthet, Olivier
Lartillot and Mark Sandler
THE USE OF MELODIC SCALES IN BOLLYWOOD MUSIC: AN EMPIRICAL STUDY
Monojit Choudhury, Ranjita Bhagwan and Kalika Bali
TOWARD UNDERSTANDING EXPRESSIVE PERCUSSION THROUGH CONTENT BASED
ANALYSIS
Matthew Prockup, Erik Schmidt, Jeffrey Scott and Youngmoo Kim
TOWARDS LIGHT-WEIGHT, REAL-TIME-CAPABLE SINGING VOICE DETECTION
Bernhard Lehner, Reinhard Sonnleitner and Gerhard Widmer
TRANSFER LEARNING IN MIR: SHARING LEARNED LATENT REPRESENTATIONS FOR
MUSIC AUDIO CLASSIFICATION AND SIMILARITY
Philippe Hamel, Matthew E. P. Davies, Kazuyoshi Yoshii and Masataka
Goto
VERIFYING MUSIC TAG ANNOTATION VIA ASSOCIATION ANALYSIS
Tom Arjannikov, Chris Sanden and John Z. Zhang
VIRTUALBAND: INTERACTING WITH STYLISTICALLY CONSISTENT AGENTS
Julian Moreira, Pierre Roy and François Pachet
VISUAL HUMDRUM-LIBRARY FOR PWGL
Mika Kuuskankare and Craig Sapp
